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| Artist / Author | Georgina Kleege |
|---|---|
| Reference | A0478 |
| Date | 2012 |
| Journal | Parallel Lines Journal |
| Type | Article |
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.
The second issue of the ADHD artist zine.
The first issue of the ADHD artist zine.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought the author argues that during the twentieth and twenty-first centuries a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.
Part of the Library of Performing Rights (P3041).
A documentary about a series of one-to-one performances that took place in a hotel in Austria.
Part of LADA Screens. The film was available online 4 April to 28 April 2017 on the LADA Screens Channel. Part of the Library of Performing Rights (P3041).
An interview with The Guerrilla Girls. Liquid damage on publication.
Part of The Library of Performing Rights (P3041).
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
A critical examination of the varieties of multiculturalism and the way they structure difference.
Female artists; suggestions to Nick Serota, as Tate expands to a fourth London gallery.
Liquid damage on publication.