A concise overview of the shifting roles of theatre and theatricality in Scottish culture, asking important questions about the relationship between Scottish theatre, history and identity, and celebrating the recent emergence of a generation of internationally successful Scottish playwrights.
| Artist / Author | Dr Trish Reid |
|---|---|
| Publisher | Palgrave Macmillan |
| ISBN | 978-0230292611 |
| Reference | P3007 |
| Date | 2013 |
| Type | Publication |
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p61-80
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
The second issue of the ADHD artist zine.
The first issue of the ADHD artist zine.
A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
Eight issues of the interview zine about performance.
A one-off 30 performance produced in relation to Teching Hsieh's Outdoor film. Part of LADA Screens 4.
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).