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| Artist / Author | Chris Tompson |
|---|---|
| Reference | A0004 |
| Date | 2002 |
| Journal | Performance Research |
| Journal date | 2002-09-01 |
| Journal page | 15-25 |
| Type | Article |
A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.
Genesis has selected h/er unseen and personal photographs to illustrate h/er journey of life as continuous creativity.
Limited edition; 352 / 1323. In glass cabinet.
Carolee Schneemann in conversation with Bonnie Marranca and Claire MacDonald
The “Artists' Book” of the post-war period: a unique collaborative work by four artists associated with various avant-garde art movements, including Fluxus and Nouveau Réalisme.
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramović, Pope.L, and Chris Burden.
Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001), Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).
This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it–to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries.
Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of “vectors of the radical” shape the avant-garde.
Crisis of Representation and Destruction in the Arts from the 1950s to the End of the Century.
Catalogue of an exhibition held June 17 to August 20, 2000 at the Palazzo Bonaguro, Bassano del Grappa
In English and Italian.
A collection of essays, documents, & bibiliography reagrding performance art edited by people associated with a Toronto-based arts organization.
Named after her renowned exhibition at London's Lisson gallery in 1967, this volume features Ono's most important works. It also includes photographs of Ono surrounded by her art, her billboards, “instructions,” letters, invitations to her performances, and exhibition posters.
Published on the occasion of exhibitions at Schirn Kunstahlle Frankfurt (February-May 2013), Louisiana Museum of Modern Art, Humlebaek (June-September 2013) and Guggenheim Museum Bilbao (March-September 2014)
Kaprow’s sustained inquiry into the paradoxical relationship of art to life and into the nature of meaning itself is brought into focus in this newly expanded collection of his most significant writings.