Special issue exploring music as performance.
10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
The curator who founded MoMA’s video program recounts the artists and events that defined the medium.
Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
A recipe book produced following a series of public events involving local South Essex foods, their source, preparation and consumption.
Illuminates the shift in approaches to the uses of theatre and performance technology in the past twenty-five years and develops an account of new media dramaturgy (NMD), an approach to theatre informed by what the technology itself seems to want to say.
A book about the implosion of nature and culture in the joint lives of dogs and people, who are bonded in “significant otherness”.
Draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance.
Part of Library of Performing Rights (P3041).
Critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners.
Brings together established and emerging practitioners who work with light, as material or subject.
Explores performance art through live manifestations and reiterations in photographs, film and video.