Engages the virtually invisible subject of older women in western culture.
Part of Library of Performing Rights (P3041)
Spells are poems; poetry is spelling. Spell-poems take us into a place where the right words can influence the universe.
Brings the fields of performance studies and trauma studies together in conversation where they inform crucial themes such as trauma, testimony, witness, and spectatorship.
Exhibition catalogue; Summerhall, 2/8 – 24/9 2017.
Publication that emerged from, and was inspired by, an exhibition held across Southampton’s John Hansard Gallery and SeaCity Museum in 2014.
The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.
Focusing on a variety of representations, the book stimulates discussions of s/m through the exploration of censorship in the arts, the fetishization of sexual paraphernalia, recombinations of class, race and sexuality, and the politics of psychoanalysis.
Part of the Library of Performing Rights (P3041).
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramović, Pope.L, and Chris Burden.
A provocationinterested in exploring the meeting points between the obliteration of the possibility of physical motherhood (rupture of the body), a country disappearing in war (rupture of the land) and the reconstruction of the bio-political-history. Together these assert a new no-motherhood and post-motherland identity away from the exilic ruptures that define the end of the 20th and beginning of the 21st centuries in Europe.
A live autobiographical performance piece, told through multi-media, comedy and conversation between conflicting internal persona’s inside someone’s head.
Part of the Library of Performing Rights (LPR) (P3041).