Catalogue > By Keyword > politics
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Public art: a reader
In this new English edition of the handbook over sixty curators, art historians, and artists take a critical look at the theme of the significance and potential of public art.
Video Loupe
A collection of essays by and about the videomaker and critic Catherine Elwes.
Fever: Art of David Wojnarowicz
Published in conjunction with a major retrospective of the artist’s work at the New Museum of Contemporary Art, New York, January – April 1999. Includes excerpts from Wojnarowicz’s writings and essays by Dan Cameron, Mysoon Rizk, C. Carr and John Carlin.
Transgenéric@s
Catalogue for the exhibition held at the Koldo Mitxelena Cultural Centre in San Sebastian. 3/12/1998 – 6/2/1999. In Spanish, Basque and English.
Six Years: The Dematerialization of the Art Object from 1966 to 1972
Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents–including texts by and taped discussions among and with the artists involved.
Moving Image
This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation and site-specific art from the 1960s onwards.
Arte para uma cidade sensível / Art for a sensitive city
The publication explores art created in public spaces in Brazil, since 2000. In Portuguese and English. Published under the Creative Commons licence.
Immersive Theatres: Intimacy and Immediacy in Contemporary Performance
Charting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies.
Audience Participation in Theatre: Aesthetics of the Invitation
This book presents a theory of audience participation in the theatre, based on the importance of the moment of invitation and how an event changes character when such an invitation is made.
Ocaña, 1973-1983: Acciones, Actuaciones, Activismo
Devoted to the largely forgotten Spanish artist; published for the eponymous exhibition. In Spanish, Catalan, Basque and English.
