An eyewitness account of the financial meltdown and ongoing grassroots rebellion.
Part of the Library of Performing Rights (LPR) (P3041).
In this new English edition of the handbook over sixty curators, art historians, and artists take a critical look at the theme of the significance and potential of public art.
Enrique Metinides's choice of the 101 key images from his life photographing crime scenes and accidents in Mexico for local newspapers and the nota roja (or red pages, for their bloody content) crime press. An accompanying exhibition, which launched at Rencontres d'Arles in July 2011, toured to venues in Europe and the Americas.
Documenting Alain Arias-Misson's 'public poem' projects over the last 45 years. With an essay by Roger D'Hondt
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)