Created to accompany the Solitary Pleasures exhibition at the Freud Museum, London in Spring 2018, this publication is a secret museum, a treasure trove of insightful and delightful drawings, sculptures, photographs, video stills, artefacts, performative gestures, and ephemera – as well as specially commissioned texts – on a subject at the heart of Freudian and post-Freudian sexuality, eroticism, and desire: masturbation.

Examines how Hannah Wilke explored the relationship between sexual and gustatory taste in her performance ­Super-T-Art (1974), which she created for Jean Dupuy’s event Soup & Art held at the Kitchen in New York Cit

Includes:
-Corridors, Stairways & Corners
-A Lexicon ofLabour Movements
-The Italic I (Tacturiency)
Generously donated to LADA's Study Room by Clare Thornton.

In the glass cabinet.

The result of five years of practice-based creative research focused on the UPRISING project, the book presents a number of methods for the creation of politically charged interactive public events in the style of a how-to guide. 

Part of the Library of Performing Rights (LPR) (P3041).

The first book bringing together writing and documentation on Martin O’Brien and marking ten years of his work.

Part of the Library of Performing Rights (LPR) (P3041).

Exhibition catalogue, Anna Banana: 45 Years if Fooling Around with A Banana; Open Space (September 19-October 24, 2015), the Art Gallery of Greater Victoria (September 19, 2015 – January 3, 2016), Pratt Institute Libraries (March 3-April 10, 2016). 

Guides the reader through a thicket of seemingly arcane meanings of nonrepresentational art forms, and brings clarity to the intentions and agendas of these artists, as well as to their real world contexts.

Festival catalogue, 14-16 October 1999, Timisoara. In Romanian and English.

Because of Love tells the story of the artist’s childhood in Italy in an orphanage and at the hands of his abusive family, his journey to London as a young man, his return to Italy many years later as an accomplished artist, and, in between, the story of his life and loves and his becoming an artist.

What do we understand by collaborative artistic practices in Spain? After three years of research, this publication bears witness to the diversity of points of view and opinions by Spanish artists and key agents working in this field. 

The aim in bringing these voices together in a single publication is that they will add to the already existing discussion in English and will influence future theoretical discourses more broadly.