Examines how Hannah Wilke explored the relationship between sexual and gustatory taste in her performance Super-T-Art (1974), which she created for Jean Dupuy’s event Soup & Art held at the Kitchen in New York Cit
The book tells the story of feminist performance theory. It explores key debates from its 40-year history, engages with the work of groundbreaking thinkers including Elin Diamond, Jill Dolan, Peggy Phelan and Elaine Aston, and includes case studies of recent performances by established and emerging feminist artists.
a collection of texts and images that respond to the dance duet O
Part of the Library of Performing Rights (LPR) (P3041).