When students at Oxford University called for a statue of Cecil Rhodes to be removed, following similar calls by students in Cape Town, the significance of these protests was felt across continents. This was not simply about tearing down an outward symbol of British imperialism – a monument glorifying a colonial conqueror – but about confronting the toxic inheritance of the past, and challenging the continued underrepresentation of people of colour at universities.
Part of the Library of Performing Rights (P3041).
This major survey charts the development of live art across six continents since the turn of the twenty- first century, revealing how it has become an increasingly essential vehicle for communicating ideas across the globe in the new millennium.
Celebrates Scottee as a maker, and marks both the achievement and the influence of his work, the fact he not only survived the violence and traumas so much of his work depicts, but thrived.
The Library of Performing Rights (P3041).
Brings together commissioned pieces by 50 artists and theorists whose works have shaped steirischer herbs over the past decade.
Seventh issue in the Urban Pamphleteer series, gathering perspectives, provocations and vignettes on London’s LGBTQ+ night-time spaces
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
Programme for the event exploring questions of negotiation, exchange and representation in contemporary collaborative arts practice. (20-23 June 2018, Dublin.)
Brings Lorde’s essential poetry, speeches and essays, including ‘The Master’s Tools Will Never Dismantle the Master’s House’, together in one volume for the first time.
Part of the Library of Performing Rights (LPR) (P3041).
A catalogue that collects, anticipates, and activates the fantastic experiences and happenings of Fusebox 2018.
Describes the framework in which Deveron Projects works and contributes to the social wellbeing of Huntly.