Madison presents the neglected yet compelling and necessary story of local activists in South Saharan Africa who employ modes of performance as tactics of resistance and intervention in their day-to-day struggles for human rights.
The full screening programe from Playing With Space, a touring film programme curated by Lawrence Bradby that celebrates artists who have been making guerrilla interventions, granting themselves the right to make their own work public. The file include a PDF documents with information and text on the event.
Film developed from the organisation and documentation of a Memorial for Hinchliffe held at Beaconsfield in London in 2012, and from the ongoing process of collecting and finding a safe space to house the Hinchliffe archive.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Catalogue of a series of performace intentions in which the utilitarian space of the street is transformed into an art space.
Excerpt from Blip, a project commissioned for Liverpool Live, a programme of live art organised by bluecoat art centre for the Liverpool Biennial 2004 in collaboration with the Live Art Development Agency. Through in depth research a series of historical and cultural figures where identified for each location and these figures would appear unannounced from the city’s public telephone boxes.
Includes essays on eighty artists from fourteen countries and discuss the tradition of an art form that emerged during socialism in cultural centers such as Prague, Belgrade, Ljubljana, Warsaw, and Zagreb. In English and Slovenian. Published for the exhibition at the Museum of Modern Art in Ljubljana.
Part of the Library of Performing Rights (LPR) (P3041).