Panel discussion with RoseLee Goldberg, Carlo Lamagna, Rob Storr, Chrissie Iles and Joan Jonas
Lecture held as part of MA Live Art at Queen Mary, University of London, 1/10/2018. Audio recording.
Calls out to freedom in the capitalist commons, within the cultural production of the high street.
Part of Library of Performing Rights (P3041).
Brings together established and emerging practitioners who work with light, as material or subject.
Explores the ways in which contemporary artists across media continue to reinvent art that straddles both public and private spheres.
Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
A new collection of images and texts depicting the artist's recent activities and project with Live Art Bistro, East Street Arts and Leeds Beckett University.
Brings together artists, curators and producers, writers and critics to think through their relationship with criticism, revealing passionately held and often conflicting opinions on what criticism is and where it resides. Follows Steakhouse: Live Writing, a pilot project undertaken as part of the 2016 Steakhouse Live Festival of Live Art and Performance.
Highlights the various aspects of particular interest and activity which make the British scene distinctive and exciting.
An assessment of experimental work in the early years of Dance Umbrella (1978-1983).
African dance and western programmers.
The contributors to this book, writing from a variety of subject disciplines and interests, explore a range of the uses of autobiography from the nineteenth-century to the present day, and from Africa, USA, the Middle East, France, New Zealand, as well as Britain.