This special edition newspaper and supplement was published to coincide with the Hayward Gallery’s exhibition of the same name, which explores how the digital and physical realms of the city interact and overlap. Includes an introductory essay by curator Stephanie Rosenthal and a collation of images and other artistic and textual interventions by writes Chloe Aridjis, Deborah Levy and Stewart Home.
| Editor | Tom McCarthy |
|---|---|
| Publisher | Hayward Publishing |
| ISBN | 978-1-85332-325-6 |
| Reference | P2700 |
| Date | 2014 |
| Type | Publication |
Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021
‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers
A Way Away uses the mode of correspondence course to explore ideas around distance – spatial and temporal, physical and social, imagined and real.
Documentation of the event organised as part of LADA’s 20 anniversary celebrations across 2019: some of LADA’s icons present their own pop culture icons.
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.
Zine focusing on the questions that speculative fiction can ask which are especially important now.
Explores the histories of race and technology in a world made by slavery, colonialism, and industrialization. Beginning in the late nineteenth century and moving through to the twenty-first, the book argues for the dependent nature of those histories.
Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.
Part of Library of Performing Rights (P3041).
A collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them.
Catalogue of the Bath Festival Exhibition 1991, 24 May – 1 July 1991.