Festival documentation.
| Artist / Author | Mary Paterson, Teresa Margolles, Ivana Muller, Silvia Rimat, Jordan McKenzie |
|---|---|
| Editor | Gillian Nicol |
| Reference | A0363 |
| Date | 2011 |
| Journal | an Magazine |
| Journal page | 12 |
| Type | Article |
This book explores the practical, philosophical and aesthetic implications of performers working in pairs. It focuses on a ten-year period in the work of Karen Christopher, alongside wider reflections on the duet as a concept in artistic and social life. The book presents an investigation of the entanglement of form and practice seen through the lens of the smallest multiple unit of collaboration: the pair.
This book was produced as part of ‘Challenging Archives’, at. the University of Bristol Theatre Collection: a Wellcome funded project to catalogue and conserve the archive of the artist Franco B. Maddy Costa and Mary Paterson were writers in residence for the project from 2018-2020.
Mishandled Archive offers a way of imagining, creating and disseminating an archive.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
Second edition of Material concerns itself with in/visibility in contemporary artistic practice, especially dance.
An intimate collection of letters, poetry and postscripts by artists and writers that seeks to connect, exchange and witness through the action, idea or form of a love letter. The book builds on a programme that took place at Bios, Athens (2015).
This article gives examples of a number of initiatives by individual writers, artist collectives, and festivals that test forms of critical writing that are as experimental as the practices to which they relate.
Created to accompany the Solitary Pleasures exhibition at the Freud Museum, London in Spring 2018, this publication is a secret museum, a treasure trove of insightful and delightful drawings, sculptures, photographs, video stills, artefacts, performative gestures, and ephemera – as well as specially commissioned texts – on a subject at the heart of Freudian and post-Freudian sexuality, eroticism, and desire: masturbation.
A performative publication enabling a rich array of theatrical and artistic scores that can be performed at a moment’s notice.
Part of the Library of Performing Rights (LPR) (P3041).
Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.