Skip to main content

Happy Birthday Bill (William Burroughs)

Notes

This catalogue item has no notes associated with it.

Artist / Author Various
Reference V0090
Digital Ref EV0090
Date 1994
Type Digital File

Keywords

Similar items

Re Wild(e)ing Queer Performance

Artist/Author: Fintan Walsh | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0906 | Type: Article

Contemporary Theatre Review Volume 31 Issue Number 3 August 2021

A Film about Performance Magazine

Artist/Author: Hugo Glendinning, Alex Eisenberg | Digital Reference: EF5388 | Type: Digital File

This short documentary film maps Performance Magazine’s history and legacy by bringing together original editors, guest contributors and others connected to the magazine to reflect on it over 30 years on.

23 mins.

 

Pop Goes Live Art – Icons on Icons documentation

Digital Reference: EF5373 | Type: Digital File

Documentation of the event organised as part of LADA’s 20 anniversary celebrations across 2019: some of LADA’s icons present their own pop culture icons.

Queer exceptions: Solo performance in neoliberal times

Artist/Author: Stephen Greer | Reference: P3988 | ISBN: 978-1526113696 | Type: Publication

A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.

Part of Library of Performing Rights (P3041).

Naked Boys Reading Anthology

Editor: R. Justin Hunt, Matthew Ryalls, Ivan Moya Denia | Reference: P3519 | Type: Publication

The first annual anthology of commissioned new work by queer authors.

Lumiere & Son Theatre Company collection

Reference: P2857 | Type: DVD

Includes DVDs, programmes, flyers. In two folders.

Includes: Icing (Oval House, 1978), Circus Lumiere, Abduction (ICA, 1992), Beauty and the Beast (1983), Paradise (ICA, 1989), Panic I, (Camden Music Festival, 1987), Panic II (Gardner Cente Brighton, 1987), Vulture Culture (Brisbane, 1987 and Henley Festival, 1984), Special Forces (Oval House, 1976), Jean Pool (1979) , War Dance (Nottingham Castle, 1989), Deadwood  (Kew Gardnes, 1986), Senseless (ICA, 1983), Brightside (1984), Dinning with Alice (1999 and 2011), Fifty-Five Years of the Swallow and the Butterfly (Penzance, 1990), Glazed (Chapter, 1979),  Giants (Birmingham Arts Lab, 1979),  Entertaining Strangers (Lyric Hammersmith, 1986),  Slips (1981), Son of Circus Lumiere (Edinburgh Festival, 1982), Why is Here There Everywhere Now? (Riverside Studios, 1991), Heart of Ice (The Place, 1987), String of Perils (Albany Empire, 1980), The Appeal (Channel 4, 1982), Tip Top Conditions (1981 and 1988), Dogs (Oval House, 1976)

Performance and Politics in the 1970s

Artist/Author: Various | Digital Reference: EF5167 | Type: Digital File

Documentation of a day of screenings, conversations and presentations which explore, recover and communicate the history of performance art in London and the UK in the 1970s. The day includes a screening of William Raban’s film 72-82 (a history of art and performance at Acme Gallery, London), followed by a panel discussion with William Raban (Professor of Film at London College of Communication), and special guests; a conversation with Hilary Westlake and David Gale (Lumiere & Son); lectures by Naseem Khan, Anne Bean, and Marcia Farquhar; with a keynote by the historian Carolyn Steedman (Emeritus Professor of History, University of Warwick).

 

 

Programme Notes: Case studies for locating experimental theatre, second edition

Editor: Lois Keidan, CJ Mitchell | Reference: P2120 | ISBN: 978-1-84943-459-1 | Type: Publication

Programme Notes: Case studies for locating experimental theatre, revised and expanded second edition is a collection of commissioned essays, case studies and interviews reflecting the exciting and complex relationships between ‘mainstream’ stages and ‘experimental’ theatre practices. This revised and expanded edition includes the original contributions (from the first edition, published 2007) whilst illustrating some of the seismic shifts that have taken place across the theatre landscape of the UK since 2007 through profiles of the work of Manchester International Festival, National Theatre Scotland, BAC (Battersea Arts Centre) and Forest Fringe.

Donation

£