Dramaturg and curator Norman Frisch discusses qualities that distinguish theater from other “time-based art,” highlighting connections to mystery and classicism.
| Artist / Author | Norman Frisch and Tom Sellar |
|---|---|
| Publisher | Duke University Press |
| Reference | A0591 |
| Date | 2014 |
| Journal | Theater |
| Journal date | 2014 |
| Journal page | 47-61 |
| Type | Article |
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
This book is for any visitor resident of the Elan Valley to enjoy a creative way of exploring the area and thinking about history, nature, and people.
Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.
Calls out to freedom in the capitalist commons, within the cultural production of the high street.
Part of Library of Performing Rights (P3041).
Illuminates the shift in approaches to the uses of theatre and performance technology in the past twenty-five years and develops an account of new media dramaturgy (NMD), an approach to theatre informed by what the technology itself seems to want to say.
A report on the five-year programme; the story of an undertaking that brought together art and heritage.
Focuses on the intersection of social and public projects, and the possibilities of art practice in public space.
Part of Library of Performing Rights (P3041)
Discusses how citizenship is performed today, through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory.
Part of Library of Performing Rights (P3041)
Brings together established and emerging practitioners who work with light, as material or subject.