See also D0342 for still images, and P1002 essays and catalogue.
Artist / Author | Marina Abramović |
---|---|
Editor | Directed by Babette Mangolte |
Reference | D1669 |
Date | 2010 |
Type | DVD |
Reader for the lecture series from January to June 1996.
Edited by Sabine Breitwieser. Forward by Dietrich Karner. Introduction by Sabine Breitwieser. Texts by Steve Anker, Ute Meta Bauer, Benjamin H.D. Buchloh, Corinne Diserens, Xavier Douroux, Silvia Eiblmayr, VALIE EXPORT, Dan Graham, Malcolm Le Grice, Birgit Pelzer, Roland Schöny, V-Girls, Video and filmography VALIE EXPORT and Gordon Matta-Clark.
An evening with artists readings of extracts from significant books held in LADA’s Study Room. Part of LADA at 20.
On observing the Wooster Group process.
Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
Asking urgent questions about drag today, Louche takes a critical and constructive approach to queer performance culture: its past, present and future. Featuring contributions from over thirty artists, writers and illustrators.
In his third one-year performance piece, from 26 September 1981 through 26 September 1982, Hsieh spent one year outside, not entering buildings or shelter of any sort, including cars, trains, airplanes, boats, or tents.
This video was part of LADA Screens, and was available online between 12 and 26 October 2015.
A consideration of ‘new dance’ in response to writings of Luce Irigaray.
Works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics.
Part of the Library of Performing Rights (P3041).
On Christoph Schlingensief, solo exhibition at MoMA S1, March-August 2014.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
Charts the historical course of performance in Australia from the happenings of the 1960s, through body art in the 1970s, towards a more political body in the 1980s.
Part of Library of Performing Rights (P3041)