Celebrates Scottee as a maker, and marks both the achievement and the influence of his work, the fact he not only survived the violence and traumas so much of his work depicts, but thrived.
The Library of Performing Rights (P3041).
Programme for the Afrikaans language festival that forges creative connections with English and Sotho cultures; 18-22 July 2017.
Rrelates the history of La MaMa through its performance posters, capturing the irreverence and the aesthetic of La MaMa over five decades.
A collection of three radically poetic works for live performance. Includes JARMAN, Carthage/Cartagena), and The Orphan Sea.
A chronological review of a decade of endeavours by one of the most astute Slovenian projects of contemporary performing arts. The publication with extensive visual material and excerpts from texts documents 29 performances accompanied by Dr Blaž Lukan’s essay Erasing the Audience which analyses the company’s performing strategies.
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
The author draws on her experience as both a theatre actor and a university professor whose teachings in the art of acting rely heavily on her own experience and also on her philosophical knowledge.
Combining classical and contemporary stage plays with spoken word and performance art, this anthology features over forty extracts from some of the most exciting stage works in the English-speaking world.
Collects six of McMahon’s works that span across socio-political, queer and historical frames of discourse: Discontents, Scatter, City Of God, Heel, Honorable Discharge, Failure to Thrive (we small hours).