a linguistic kaleidoscope of caustic cartoons, crackpot prophecies and demented erotica. a dense, poetic blend of the hallucinogenic and the hardboiled… dirty jokes, venomous poetry and tall tales that corkscrew deep into nightmares. a short story etc. collection for the depraved, the depressed and the death obsessed.
A series of contributions to a one-day conference by the Baring Foundation and Cubitt in 2014.
Part of the Library of Performing Rights (P3041).
A publication on the performance for adults which explored, through image, sound, light, text and the choreography of hundreds of objects, what it is to change, to grow, and to age.
Original production: Young Vic – London: 27th September – 9th October 2010
In 2016, two artists embarked a cargo ship and retraced a route of the Transatlantic Slave Triangle – Europe, Africa, the Caribbean – all the while contemplating the notion of home. Both real and imagined, it was a journey to the bottom of the Atlantic Ocean, propelled by questions and grief; a journey backwards in order to go forwards, a diaspora. This show is what they brought back.
Part of the Library of Performing Rights (P3041).
Maps connections across performances that question the borders of the human whose neurodiverse experiences have been shaped by the diagnostic label of autism, and animal-human performance relationships that dispute and blur anthropocentric edges.
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
Presents principles of the work by the Theatre of Research as a plea for transgenerational research in performance and Live Art.
On performing feminist values for children.
Complete archive of Tsitsopoulos' “Is Art Lonely?” project, including artist CV; video of performance at LADA; curatorial texts; drawings; Is Art Lonely? (video), video and photo documentation.
In glass cabinet.
This major survey charts the development of live art across six continents since the turn of the twenty- first century, revealing how it has become an increasingly essential vehicle for communicating ideas across the globe in the new millennium.