Four interviews and ten essays, case studies, manifestos and anti-manifestos by theatre makers, curators, critics, and scholars, presenting various examples of audience participation in theatre and linking them to problems of participation in democracy and to socially engaged art.
The author analyses several contemporary performances as examples of artistic critique of current ideological canons and power structures governing labour relations in the globalised capitalist production.
Selected Works of Poysha Kakil, featuring the documentary film Knitting Iron.
Miscellaneous documentation of the individual and collaborative work by Stefan Kaegi. In 2000, Kaegi joined forces with Helgard Haug and Daniel Wetzel, under the label of Rimini Protokoll, and begun staging engaging and nomadic interventions on the landscape of various European cities. Cargo Sofia-X is a live spatial model, a site-specific performance for European and boarder-cities. For Call Cutta the group founded a Call Centre in Kolkata to remote-control audiences through Berlin by mobile phone. English with some text in German. For documentation of Call Cutta see REF. D1132. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
A documentary of the project by Rimini Protokoll. For further documentation see also REF P1215.