Assemblage reflects interdisciplinary aesthetic practices that call attention to displacement as a disruption in the continuity of place, relationships, identity, movement, memory, and time resulting in a collage of preserved artefacts and mediated possibilities.
In misc folder 7.
Part of the Study Room Guide on Live Art and Displacement (P3107).
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Interview with Manuel Vason; in Spanish.
A reading of Curtis' wedding performances and his persona.
Selected images from the exhibition Translated Acts, curated by Yu Yeon Kim at the Haus der Kulturen der Welt and the Queens Museum of Art in 2001.
An in-depth research on the theme of borders and motherhood.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Exhibition catalogue: The Rochester Contemporary, 30/4-23/5 2004. Includes reproductions of artwork, critical essays and fiction.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.
Publication accompanying the eponymous exhibition at the Transition Gallery, 16 June-15 July 2007; with texts by a number of writers including Iain Sinclair, Charlie Porter and Ruth Jarvis.
The book examines three distinct strands of photographic practice – the documentation of performance works, how performers and photographers have worked collaboratively, and the work of photographers who have a strong performative element to their practice – as well as the construction of self-identity and playful, innovative approaches to portraiture.
On the occasion of the eponymous exhibition, February-June 2016, Tate Modern.