Catalogue > By Keyword > Marina Abramović
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Moments: A History of performance in 10 Acts
Publication to coincide with exhibition at ZKM | Center for Art and Media Karlsruhe, Germany, 2012
Programme Notes: Case studies for locating experimental theatre, second edition
Programme Notes: Case studies for locating experimental theatre, revised and expanded second edition is a collection of commissioned essays, case studies and interviews reflecting the exciting and complex relationships between ‘mainstream’ stages and ‘experimental’ theatre practices. This revised and expanded edition includes the original contributions (from the first edition, published 2007) whilst illustrating some of the seismic shifts that have taken place across the theatre landscape of the UK since 2007 through profiles of the work of Manchester International Festival, National Theatre Scotland, BAC (Battersea Arts Centre) and Forest Fringe.
Women of the Underground: Art: Cultural Innovators Speak for Themselves
In a series of twenty-four candid interviews with influential women artists, author Zora von Burden gives some of the most influential cultural innovators of this generation a voice, and probes the depths of how and why they broke through society’s limitations to create works of outstanding measure.
The Art of Walking
The first extensive survey of walking in contemporary art. This item is part of the Study Room Guide to Remoteness (P2600).
Marina Abramović / The Abramović Method
The catalogue ifrom The Abramović Method exhibition in Milan 2012
Marina Abramovic / The Abramovic Method
The catalogue ifrom The Abramovic Method exhibition in Milan 2012
Performance Paper – The Pigs of Today are the Hams of Tomorrow
Publication accompanying the homonymous symposium: a collaboration between Plymouth Arts Centre and artist Marina Abramovic to produce a performance event that explored the history and future of the artist’s work. Newspaper-style publication in large folder.
Dance
Documents of Contemporary Art series.
Performance Art : From Futurism to the Present (Third Edition)
Maps the history of performance and live art up until 2011.
Going Public
Exploration of art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.
Performing Remains
Explores the role of the fake, the false and the faux in contemporary performance and investigates the aesthetic and political potential of re-enactments.
Performing Remains is a dazzling new study exploring the role of the fake, the false and the faux in contemporary performance. Rebecca Schneider argues passionately that performance can be engaged as what remains, rather than what disappears.
Across seven essays, Schneider presents a forensic and unique examination of both contemporary and historical performance, drawing on a variety of elucidating sources including the “America” plays of Linda Mussmann and Suzan-Lori Parks, performances of Marina Abramović and Allison Smith, and the continued popular appeal of Civil War reenactments. Performing Remains questions the importance of representation throughout history and today, while boldly reassessing the ritual value of failure to recapture the past and recreate the “original”.
Catalogue
Catalogue, contains the collections of MonteVideo/TBA and Time Based Arts.
