Publication to coincide with exhibition at ZKM | Center for Art and Media Karlsruhe, Germany, 2012
| Editor | Sigrid Gareis, Georg Schollhammer, Peter Weibel |
|---|---|
| Publisher | Walther Konig |
| ISBN | 9783863352899 |
| Reference | P2226 |
| Date | 2012 |
| Type | Publication |
Published in conjunction with MoMA’s retrospective exhibition and in collaboration with the artist, this scholarly volume presents new critical essays that expand on Piper’s practice in ways that have been previously under- or unaddressed.
An evening with artists readings of extracts from significant books held in LADA’s Study Room. Part of LADA at 20.
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
The second of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the people and agencies that make space for performance artists and dancers to meet, experiment, and dance together in LA.
The second of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the people and agencies that make space for performance artists and dancers to meet, experiment, and dance together in LA.
A consideration of ‘new dance’ in response to writings of Luce Irigaray.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
Examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism.
Includes original footage of The American Moon (1960) and Flower (1963), a recent performance of Prune Flat (1965), and Ghost, Whitman’s recent theater work, as well as short documentaries about the works.
Explores performance art through live manifestations and reiterations in photographs, film and video.
Interview with Ulay.