Catalogue > By Keyword > Marina Abramović
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Performance Lecture Archive: Performing Body
Performance lecture documentation.
Live Culture Lecture series: Performing Body
For over 20 years Marina Abramović has collected materials from film, dance, theatre, music, rituals and performance. For her lecture at Live Culture she wound through a personal visual archive of performance related materials focused around the performing body, its mental and physical limits.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
The ‘do-it-yourself’ artwork: Participation from Fluxus to new media
The ‘do-it-yourself’ artwork: Participation from Fluxus to new mediaThis volume consists of fifteen essays by art historians, critics and curators, which are divided into three sections. Part 1 addresses the emergence of spectator participation in the 1960s, whilst Part 2 brings together in-depth case studies of specific participatory practices in the 1960s, 1970s and 1990s, analysing the issues that they raise in their very modes of operation. The more general critical essays in Part 3 map out a range of theoretical approaches to the ‘do-it-yourself’ artwork.
Life [in Progress]
This book is the printed extension of Janez Janša’s installation Life [in Progress]. Complete with photo cards and carry bag.Life [in Progress] is composed of written, photo, and video instructions. The spectators are the actors; walking past the instructions they create the performance according to their own rhythm, sensibility, belief and (non-) activity.
This item can be found in the Orange Oversized Shelf.
On Edge: Performance at the End of the Twentieth Century
Brings together Carr’s writings to offer a detailed and insightful history of performance from the late 70s to today.
This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
When Marina Abramovic Dies
artartart: The Live Art Issue
The Many Headed Monster: The audience of contemporary performance
An original and inventive resource for anyone interested in contemporary performance practices and their relationships with audiences.
Body Art and Performance: the body as language
Nearly thirty years after the first edition, this text–by now a classic–is republished with all the original photographic material.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Wanderlust: A History of Walking
This item is part of the Study Room Guide to Remoteness (P2600) and the Study Room Guide: you may perform a spell against madness by Lone Twin (P0755)
