The dancers develop movements in response to a photo – creating in real time.
Part of the Library of Performing Rights (LPR) (P3041).
|Artist / Author||Ângelo Madureira and Ana Catarina Vieira|
In 2014 Project O (Alexandrina Hemsley and Jamila Johnson-Small) began working with Charlotte Cooper and Kay Hyatt on a show called SWAGGA. The work is rooted in dance and draws on other performance traditions, including a live soundtrack by Trash Kit and original compositions by Verity Susman. This collaboration was remarkable because it featured untrained dancers with the kinds of political bodies – fat, queer, older – that are rarely treated as creative, expressive or worthy choreographic subjects. Over two years SWAGGA was refined and performed for audiences around the country. Katarzyna Perlak documented the process and in 2016 created SWAGGA: A Study On Camera, a creative response to the live performance. The result is an extravaganza of mess, antisocial emotions and intersectional feminist sensibility.
SWAGGA: A Study On Camera was first screened by the Live Art Development Agency in 2018 as part of the LADA Screens programme, a series of online screenings of seminal performance documentation, works to camera, short videos, films and archival footage.
Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
Documentation of the performance lecture by Swiss based Brazilian artist about their most recent work Trinta y Dois Igual a 5.
Documentation of the evening which featured a screening of short films and performance documentation by artists working around ritual, performance and queer futurity.
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.
Documentation from the performance art conference, 9-16 July 2017. In German and English,
Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.