Catalogue > By Keyword > feminist
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The Cambridge Companion to Modern British Women Playwrights
Addresses the work of women playwrights in Britain throughout the twentieth century.
The Uses Of Autobiography
The contributors to this book, writing from a variety of subject disciplines and interests, explore a range of the uses of autobiography from the nineteenth-century to the present day, and from Africa, USA, the Middle East, France, New Zealand, as well as Britain.
After Kathy Acker: A biography
At once forensic and intimate, the biography traces the extreme discipline and literary strategies Acker used to develop her work, and the contradictions she longed to embody.
Against The Romance Of Community
Explores sites where the ideal of community relentlessly recurs, from debates over art and culture in the popular media, to the discourses and practices of nonprofit and nongovernmental organizations, to contemporary narratives of economic transformation or “globalization.”
The Gluts: Complete Works
Documenting The Gluts trip to Copenhagen during the COP 15 Climate Summit.
Part of the Library of Performing Rights (LPR) (P3041).
Stigmata
The essays explore the broad range of poetico-philosophical questions that have long been circulating in the Cixousian universe: the self and the other, autobiographies of writing, love’s labors lost and found, sexual difference, feminism and feminine hours, the prehistory of the work of art and reading the visual arts, animal (w)rites and trans-species relations, literary theory, post-colonial theory, death and life.
Revolting Subjects: Social Abjection and Resistance in Neoliberal Britain
Explores the processes through which specific populations are figured as ‘revolting’ as well as the practices through which these populations ‘revolt’ against their subjectification.
Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)
Anna Birch archive
Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.
Slap & Tickle programme
*currently unavailable*
A dark and ribald physical commentary on cultural mores, forays and sexual taboos. Aggiss places herself centre stage in this solo performance in a vociferously moving and disorientating display of contradictions and interpretations, on girls, ladies, women, mummys, mothers, bitches and dogs, pensioners and senior citizens.
Made For TV Part 1
Combining Rubnitz’s manipulation of the familiar “look” of TV shows with an extraordinary range of characters, performer Ann Magnuson impersonates the array of female types seen on TV in a typical broadcast day.
7:25
