Catalogue > By Keyword > feminist
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The Performance Dinners
Documentation of The Subjectivity and Feminisms Research Group’s Performance Dinners, in which artists and academics are invited to ‘perform’ their response to the evening’s theme, addressing the relationship between subjectivity and the artwork, particularly in regard to feminist theories. Contributors: Mo Throp, Maria Walsh, Verina Gfader, Georgina Starr, Kate Smith, Leda Papaconstantinou, Monika Oechsler, Katherine Meynell, Despina Meimaroglou, Rebecca Fortnum, Sutapa Biswas, Laura Malacart, Catherine Maffioletti, Claire MacDonald, Dominika Kieruzel, Susan Kelly, Rebecca Hallifax, Lucy Gunning, Fran Cottell, Brian Dawn Chalkley, Jo Bruton, Katie Baker, Gill Addison, Claudia Kappenberg, Celestin Edwards, Maria Walsh, Sarah Tremlett, Ana Laura Lopez de la Torres, Sissu Tarka, Sarah Smith, Lucy Reynolds, Anita Ponton, Susannah Pal, Jo Mitchell, Catherine Maffioletti, Claire Walsh, Marcia Farquhar, Sharon Bennett, Oreet Ashery, Yolande Burgin, Rose Cronin, Elisha Foust, Oriana Fox, Dominika Kieruzel, Elena Loizidou, Kristen Lovelock, Caroline Smith
The Gold Diggers
The Gold Diggers is a key film of early 1980s feminist cinema. Two heroines begin to unravel the truth about the search for gold and the secrets of personal transformation and freedom
Nothing In My Pockets
Nothing In My Pockets is a sound diary, concieved for the Atelier de Creation Radiophonique de France Culture, kept between July and October 2003. An intimate journey into the artist's personal universe. 2 CD's are presented with previously unpublished visual and text documentation.
Out From Under: Texts by Women Performance Artists
A collection of texts by several seminal women performance artists. Holly Hughes – 'World Without End'; Beatrice Roth – 'The Father'; Laurie Anderson – from 'United States'; Karen Finley – 'The Constant State of Desire'; Rachel Rosenthal – 'My Brazil'; Laurie Carlos, Jessica Hagedorn, Robbie McCauley – 'Teenytown'; Leeny Sack – 'The Survivor and the Translator'; Lenora Champagne – 'Getting Over Tom'; Fiona Templeton – 'Strange to Relate'.
Live Collision Study Boxes Study Room Guide
A small selection of study boxes curated by Live Art Development Agency for the Live Collision Festival in Dublin, April 2014. Boxes were based around live art history, disability, activism, bodily functions, race, queer performance.
Adrian Piper: Race, Gender and Embodiment
Adrian Piper's Mythic Being performances critically engaged wtih popular representations of race, gender, sexuality and class; confronting viewers and forcing them to reconsider assumptions about the social construction of identity. An in-depth analysis of Piper's work.
Enacting Others: Politics of Identity
Adrian Piper, Eleanor Antin, Anna Deavere Smith and Nikki S Lee have all crossed racial, ethnic, gender and class boundaries in works they have concieved and performed. Cherise Smith analyses their engagements with issues of identity through close readings of perfromances by each artist.
re.act.feminism #2 - a performing archive
This publication is based upon the touring exhibition project re.act.feminism #2 – a performing archive, an expanding, temporary and living performance archive that travelled through six European countries from 2011 to 2013. With essays by curators and scholars Kathrin Becker, Mathias Danbolt, Eleonora Fabião, Bettina Knaup, Laima Kreivytė, Laurence Rassel, Angelika Richter, Oxana Sarkisyan, Rebecca Schneider, Mare Tralla, Linda Valdés, Reet Varblane.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
n.paradoxa: religion
Vol. 33 2014, shelved in publications.
The Reckoning: Women Artists of the New Millennium
Contemporary women artists.
