Examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery.
A 50-year retrospective of the sculpture of the pioneer feminist performance artist who explores and dissolves the boundaries between art and life.
A portable archive that features Montano’s journal writings during 1984-1998, 18 of her ecstatic tantric tales, 52 of her drawings, 119 photo documents related to her performances, 13 essays and interviews by art historians, curators and writers.
Part of the Library of Performing Rights (P3041).
Provides a survey of the history of first wave feminism in British theatre, from the London premiere of Ibsen’s A Doll’s House in 1889 through the militant suffrage movement.
Part of the Library of Performing Rights (P3041).
The first book of the women’s liberation movement to put forth a feminist theory of politics.
Bringing together the voices of dance-artists, scholars, teachers and choreographers, the book looks at a range of performing arts from dancehall to ballet, providing valuable insights into dance theory, performance, pedagogy, identity and culture.
Part of the Library of Performing Rights (P3041).
Ruminates on the significance of physical and mental roaming for black freedom.
Part of the Library of Performing Rights (P3041).
Reframes Live Art practice, adopting the handy neologism gen-age, to describe the intersection of gender and age.
Part of the Library of Performing Rights (P3041).
Develops a three–part definition of xenofeminism grounded in the ideas of technomaterialism, anti–naturalism, and gender abolitionism.
Considered one of the most outrageous, violent and certifiably crazy tracts when it first appeared in 1968, Solanas’ text is reconsidered in Avital Ronell’s introduction, “Deviant Payback: The Aims of Valerie Solanas”.