Playing cards made as part of Speaker's Corner.
A performative publication enabling a rich array of theatrical and artistic scores that can be performed at a moment’s notice.
Part of the Library of Performing Rights (LPR) (P3041).
Documentation from the DIY 14 project, exploring how personal documents and performance can animate each other within a specific context of travelling and migration.
A provocationinterested in exploring the meeting points between the obliteration of the possibility of physical motherhood (rupture of the body), a country disappearing in war (rupture of the land) and the reconstruction of the bio-political-history. Together these assert a new no-motherhood and post-motherland identity away from the exilic ruptures that define the end of the 20th and beginning of the 21st centuries in Europe.
Large format programme for Hotel Obscura (Vienna performances). In German.
Artist book published as a follow up to the eponymous exhibition; the book presents around 20 art projects realised between 2000 and 2008.
Kunstpavilion Innsbruck, 19 September – 8 November 2008.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Exhibition catalogue. 18 September – 12 October 2014. Curated by Clemens Poole.
In Ukranian and English.
A curated program of temporary public art installations throughout the city of Kyiv, challenging artists and viewers to creatively address the changing physical, emotional, and social concepts of occupation.
This art book deals with the work of the Trace Collective, and includes both critical essays and images.
An international survey that brings together 40 of the most influential approaches to art in public.
Part of the Study Room Guide on Live Art and Displacement (P3107).
This exhibition catalogue takes in a large part of the artist's image making practice from 2001-2013. An identifiable persona, The Irishman, was created as a device to explore exilic experience.