This art book deals with the work of the Trace Collective, and includes both critical essays and images.
| Editor | André Stitt |
|---|---|
| Publisher | Parthian Books |
| ISBN | 978-1906998042 |
| Reference | P2696 |
| Date | 2011 |
| Type | Publication |
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
A performance-based feature film produced and filmed on location during the month-long performance walk from Northern Germany through Poland to the Russian region of Kaliningrad, in May/June 2015.
Includes feature film, trailer, poster, stills from the movie, and film description.
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
Feminist science fiction that anticipates a post-patriarchal future.
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Eight issues of the interview zine about performance.
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
Exhibition catalogue. Hayward Gallery, 12 June – 8 September 2019
Part of the Library of Performing Rights (P3041).
Film created as part of The Casement Project, a multi-disciplinary project about Roger Casement, a British knight, Irish rebel and international humanitarian.
Part of the Library of Performing Rights (P3041).