First English language publication dedicated to Raimund Hoghe, operating as a collage,drawing together a variety of international voices to create a fragmented portrait of the artist
*currently unavailable*
Investigates the implications of technology on identity in embodied performance.
Engages critical dance studies, philosophy, performance studies, cultural and post-colonial studies to propose new and creative dialogues between these disciplines.
There was once a sleeping woman. She was betrothed at birth, unknowingly. She hid in the forest until she was a true woman. At first glance she fell in love with a noble man. Her heart was taken. A witch tried to kill her and her love. A spell was put on her family and her castle. They all slept for over a hundred years. At last, the noble prince understood and at true love’s kiss she awoke.
Performance documentation.
Performance documentation.
An unconventional participatory performance.
Performance documentation.
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Séances of Presences is a performance lecture and moving dialogue that tests the potentials of all involved – on and off stage. Mariella Greil and Emily Sweeney dance, talk and write about immanent potentials of relationality, choreographic practice and performance.
Video document of performance. With movements both hers and of other choreographers, Denise Stutz guides the audience through a personal and emotional history of Brazilian contemporary dance. The memory of the body and its relationship to identity – as well as how this is inscribed in space and relates to the public – motivate and shape this solo.
Video document of a journey of recollection through embdied and spoken narratives drawn from a number of reference works by the artist.
A collection of three performances by the artist. Sleeve titles in French.
Full length video recordings and excerpts of the artist’s works.
Collection of video documentation of the artist’s early and recent works. Including artist’s biography. Video PAL
A reinterpretation of the classic fairy tale, inspired by versions as disparate as Disney’s and the macabre Grimm brothers’.
Recording of two nights of the show at the Theatre de la Bastille, Paris, in November 2006.PAL Video.
Documents of Contemporary Art series.
Documentation of Ann Liv Young’s performance Solo performed in Berlin.
Tate Tanks Special edition of Tate Etc Magazine.
A compendium of source material and contextual essays that examine Pina Bausch’s history and the development of Tanztheater as a new form.
3 DVDs of Raimund Hoghe performances. Accompanying photo books also available ref: P1914
6 booklets of photographs from Raimund Hoghe performances. Accompanying DVDs also available ref: D1864
Documentation of Ann Liv Young’s performance Michael.
A film celebration of the life and work of Pina Bausch, dancer and choreographer, who died in 2009. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249)
Hirvanen is a Finnish artist, choreographer, and performance maker; visit www.hirvanen.net for more info
Spill National Platform 2009
Focuses on the historical, cultural and political contexts that inform choreographic and dance practices and critical readings of dance-in other words, how dance operates as critical discourse.
From Fresh Air Platform 2010
Artist documentation.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Co-produced by Kaaitheater, Vooruit, STUK Kunstcentrum, Kunstcentrum Buda and Impuls Tranz Festival
Part (13) of Paysages Choregraphiques Contemporains dans le Monde: My Lunch with Anna
Part (8) of Paysages Choregraphiques Contemporains dans le Monde
Based on a reproduction of original choreographic material of Le Sacre du Printemps and the personal story of Nijinsky, Liquid Loft, together with dancers of Les Ballets de Monte Carlo, stage impressive Ready Mades, by rediscovering them as containers of bygone choreographic intentions in a changed context, weaving them into contemporary structures.
Dance as an imitation of change; the sacrifice as an instrument of equalization through retaliation against the innocent. These are the archaic means of mimetic practice in this performance.
An interview with Blondell Cummings.
Bel narrates his own development from ten years as a dancer in the 1980s, to a sabbatical in the early ’90s spent reading poststructuralist theory, to his present-day status as a leading proponent of European conceptual dance
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
On European dramaturgy in the 21st Century.
Writing as classical choreographic documentation.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Review of Oguri and Renzoku performance art work.
An artist’s book in which American choreographer reflects on her own practice in dialogue with several (former) Damaged Goods collaborators.
Amsterdam readings on the Arts and Arts Education. Drawing on contemporary practice and scholarship in the fields of dance, performance and installation art, theatre/archaeology, ethnography, holistic bodywork and the history of medicine, the collection provides insights into the body as a problematic site of performance and suggests a ‘new authenticity’ which equates both its phenomenological and representational aspects. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249).