Takes the road less travelled to discover Britain's most astonishing and unexpected theatres.
Artist / Author | Amber Massie-Blomfield |
---|---|
Publisher | Penned in the Margins |
ISBN | 978-1908058454 |
Reference | P3600 |
Date | 2018 |
Type | Publication |
Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).
Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.
A toolkit with a mission to look to the future: to support long-term change across the arts sector by sharing knowledge, providing expert support, and encouraging take-up of an intersectional approach to equality, diversity and inclusion.
Part of The Library of Performing Rights (P3041).
Taking place on 12 July 2007, SWIM was an open invitation, all access swim across London from Tooting Bec Lido to Hampstead Heath Ponds.
2014, 31’ 19”
This video was part of LADA Screens, and was available online between 17 August and 31 August 2015
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the second issue, the topic is ‘suburb’.
Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).
Part of the Library of Performing Rights (P3041)
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the third issue, the topic is ‘refuge’.
Part of the Library of Performing Rights (P3041)
Pulls together rich elements of music, physical space, visual arts, text and movement; contemplates violence, without relying on sensational anecdote.
Sheds light on a range of practices in the area of contemporary performance in Australia.
An important addition to the current body of scholarly material on contemporary performance and theatre; it provides both a detailed focus on a number of important performance works as well as developing a framework for the interpretation of contemporary performance.
Part of the Library of Performing Rights (P3041).
A manifesto for the active and creative pedestrian – envisioning a walking that is neither a functional necessity (to shops, to work) nor a passive appreciation of (or complaint about) the urban environment.
Festival programme, 30/4 – 5/5 2012.