About audience development and strategic marketing support.
| Artist / Author | Heather Maitland |
|---|---|
| Publisher | Arts Council England |
| Reference | P1574 |
| Date | 2011 |
| Type | Publication |
An album which forms part fot he ongoing inquiry by Johanna Linsley and Rebecca Louise Collins inspired by eavesdropping.
In glass cabinet.
Explores the early history of animal rights through the images and the people who harnessed their power.
Based on the results of an anonymous survey sent to more than 8,000 galleries in the US, UK, and Germany, this is an insightful examination of the business of selling art.
Surveying the history of art, technology and information systems the books reveals the dark clouds that gather over discussions of the digital sublime.
A cinematic journey through love, death and language.
75 minutes.
A guide exploring how to embed democratic practice within arts and cultural organisations. In misc folder 7.
De Marigny talks to Fiona Dick (Dance Umbrella Administrator) and Mark Harris, about the festival's audience survey.
Documentation from the three year project with young people in conflict with the law and at social risk in Rio de Janeiro.
Part of the Library of Performing Rights (LPR) (P3041).
Examines the frustrations and limitations of conventional Western academic research on social change and describes the struggle to fashion a new approach based on the principle that people have a universal right to participate in the production of knowledge that directly affects their lives.
Part of the Library of Performing Rights (LPR) (P3041).
Authors offer ways to fight today’s pervasive digital surveillance — the collection of our data by governments, corporations, advertisers, and hackers. To the toolkit of privacy protecting techniques and projects, they propose adding obfuscation: the deliberate use of ambiguous, confusing, or misleading information to interfere with surveillance and data collection projects.
The first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.