This catalogue item has no notes associated with it.
| Artist / Author | Mark Ball, Alan Read, Laura McDermott |
|---|---|
| Reference | D1437 |
| Date | 2010 |
| Type | DVD |
Documentation of projects undertaken by Adrien Sina, Tomasz Kitliński and Paweł Leszkowicz. Includes interviews, photos and promotional material from venues including Marlborough Pub and Theatre, Courtauld Institute of Art and Tate Britain.
Part of the Library of Performing Rights ( P3041).
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Artists from the Tempting Failure 2018 festival, photographed on an instant camera in the moments after their performance.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
Eight issues of the interview zine about performance.
15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.
Part of the Library of Performing Rights (P3041).
The fourteen essays bringing together a unique gathering of artists, many of whome make works which arise out of responses to the situation or the environment in which they find themselves.
Lecture held as part of MA Live Art at Queen Mary, University of London, 1/10/2018. Audio recording.
An interview with The Guerrilla Girls. Liquid damage on publication.
Part of The Library of Performing Rights (P3041).
Female artists; suggestions to Nick Serota, as Tate expands to a fourth London gallery.
Liquid damage on publication.
On Live Art landscape in 2005.