Skip to main content

Arbeit Macht Frei In Toitland Europa (Freedom through work in the Deathland of Europe)

Notes

This catalogue item has no notes associated with it.

Artist / Author Dan Urian
Reference A0389
Date 2001
Journal TheatreForum
Journal date Spring 1993
Journal page 60-66
Type Article

Keywords

Similar items

Disavowal

Artist/Author: Alenka Zupančič | Reference: P4285 | ISBN: 978-1-5095-6120-9 | Type: Publication

This book argues that the psychoanalytic concept of disavowal best renders the structure underlying our contemporary social response to traumatic and disturbing events, from climate change to unsettling tectonic shifts in our social tissue. Unlike denialism and negation, disavowal functions by fully acknowledging what we disavow. Zupancic contends that disavowal, which sustains some belief by means of ardently proclaiming the knowledge of the opposite, is becoming a predominant feature of our social and political life. She also shows how the libidinal economy of disavowal is a key element of capitalist economy.

 

The concept of fetishistic disavowal already exposes the objectified side of the mechanism of the disavowal, which follows the general formula: I know well, but all the same, the object-fetish allows me to disregard this knowledge. Zupancic adds another twist by showing how, in the prevailing structure of disavowal today, the mere act of declaring that we know becomes itself an object-fetish by which we intercept the reality of that very knowledge. This perverse deployment of knowledge deprives it of any reality.

 

This structure of disavowal can be found not only in the more extreme and dramatic cases of conspiracy theories and re-emerging magical thinking, but even more so in the supposedly sober continuation of business as usual, combined with the call to adapt to the new reality. To disrupt this social embedding of disavowal, it is not enough to change the way we think: things need to change, and hence the way they think for us.

#3 entangled practices: Embodying cross-border live art

Editor: Alessandra Cianetti, Xavier de Sousa, Anahí Saravia Herrera, Diana Damian Martin | Reference: P4234 | Type: Publication

This e-journal edition from performingborders gathers artists and practitioners exploring how their work crosses borders—territorial, cultural, political, and personal. Rooted in connection, resistance, and shared struggles, these contributions reimagine collaboration and solidarity across time and space. With a foreword by their long-time collaborator Diana Damian Martin, this collection is a tapestry of methodologies and practices grounded in survival and creative resistance.

Zong! (Wesleyan Poetry)

Artist/Author: M. NourbeSe Philip | Editor: Setaey Adamu Boateng | Reference: P4223 | ISBN: 978-0819571694 | Type: Publication

In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.

Falling through dance and life

Artist/Author: Emilyn Claid | Reference: P4189 | ISBN: 978-1-3500-7571-9 | Type: Publication

This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world.

Bastards

Artist/Author: Hayley Newman, Fraser Muggeridge | Reference: P4129 | ISBN: 978-1-912717-07-1 | Type: Publication

Artists book accompanying the exhibition Tongue-tied at Matt’s Gallery, 2-24 November 2019.

Plantain

Artist/Author: VestAndPage | Digital Reference: EF5366 | Type: Digital File

A performance-based feature film produced and filmed on location during the month-long performance walk from Northern Germany through Poland to the Russian region of Kaliningrad, in May/June 2015.

Includes feature film, trailer, poster, stills from the movie, and film description.

Organ Player

Artist/Author: Narcissister | Reference: D2320 | Type: DVD

One of the contemporary art world’s most acclaimed mixed-media & performance artists, is the subject of this smart, sassy documentary that showcases her spectacle-rich approach to explorations of gender, racial identity, and sexuality. Bonus features include two deleted scenes.

 

Pleading in the Blood: The Art and Performances of Ron Athey

Artist/Author: Ron Athey | Editor: Dominic Johnson | Reference: P2115 | ISBN: 978-1-78320-035-1 | Type: Publication

Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.

Gothic Queer Culture

Artist/Author: Laura Westengard | Reference: P4053 | ISBN: 978-1-4962-1702-8 | Type: Publication

Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought the author argues that during the twentieth and twenty-first centuries a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.

Part of the Library of Performing Rights (P3041).

So Real It Hurts

Artist/Author: Lydia Lunch | Reference: P4050 | ISBN: 978-1-60980-943-0 | Type: Publication

Through personal essays, interviews, and poetic verse, punk musician and cultural icon Lydia Lunch claws and rakes at the reader's conscience in this powerful, uninhibited feminist collection.

Donation

£