A small, limited print booklet collecting conversations on artistic practices and creative processes.
Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’
Looks at the rich history of performance art in Australia through a multitude of perspectives. With this collection's thirty-nine contributions by scholars, curators, and artists covering more than three decades of practice, readers will enjoy both a comprehensive overview of the Australian performance art landscape and a rich trove of personal reflections from some of its pioneers and main proponents.
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
A response to KAPUTT: The Academy of Destruction at Tate Modern, October 2017.
Over the course of seven weeks, the Stanley Picker Gallery in Kingston handed over its exhibition space to host a series of week-long Live Art residencies.
Includes documentation of individual weeks, plus a compilation video.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
Review of Vason’s book, published by the Live Art Development Agency and Intellect Books.
Report from the event held on Friday 29 January 2016.
This event gathered an invited group of live art and performance practitioners who are working with/around the maternal in their arts practice. All invited participants were asked to briefly introduce their ‘maternal performance practice’ and reflect on their aesthetics, including their processes and methodologies.
In misc folder 5A.
Limited Edition Exhibition Catalogue from the first edition of the VENICE INTERNATIONAL PERFORMANCE ART WEEK Hybrid Body – Poetic Body, which took place in December 2012 at Palazzo Bembo, Italy and showcased the works of over 30 international performance artists. Essays included in the publication by Bojana Kunst, Dana Altman, Andrea Pagnes, Francesco Kiais, Gabriela Alonso, Richard Martel Art, Daniela Beltran.
This small publication marks the 20th anniversary year of The Arts Catalyst. It celebrates some of the 120 artists’ projects commissioned over those two decades.
Study Boxes contain hand picked selections of DVDs, books and other materials from the LADA Study Room around specific themes. Installed in Festival hubs and other locations, and curated in dialogue with partners, each Study Box can hold between four to ten items and can be used by audiences for a quick browse or a day-long study. After the events the Boxes are returned to the Study Room and listed in this Guide so that users can explore these themes and materials during their visit to the LADA Study Room.