A selection of articles from the seventies, eighties, nineties, and the year 2000. The result is a fascinating chronicle and invaluable record of a turbulent period that gives an overview and survey of British art and its reception over the past thirty years which is wholly unprecedented in its scope.
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
A catalogue that collects, anticipates, and activates the fantastic experiences and happenings of Fusebox 2018.
A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.
Part of the Library of Performing Rights (LPR) (P3041).
A correspondence between The Victorian Woman and THE MAN. During the summer of 2016, The Victorian Woman traveled on an epic month-long journey to Southeast Asia in an attempt to liberate herself from THE MAN. Their daily correspondence in the form of relief printed and hand-drawn postcards reflects their emotional struggles and curious revelations as they attempt to reconcile the nature of their relationship.
Documents the crisis in American urban housing policies and portrays how artists have fought against government neglect, shortsighted housing policies and unfettered real estate speculation.
Part of the Library of Performing Rights (LPR) (P3041).
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Short video made for the DIY 13 project, a briefly-lived modelling agency set upon depicting the fantasy-fiction average lifestyle that is celebrated in corporate imagery
Exhibition catalogue: Intensity of Affect: performances, actions, installations – retrospective of Zoran Todorovic. Accompanies the project, Warmth, at the the 53rd Biennale di Venezia, held in Venice, at the Serbian Pavilion, June 7-Nov. 22, 2009.
In Serbian and English.
Published on the occasion of the exhibition at the Hammer Museum, LA. 15 September – 31 December 2017.