Catalogue > By Keyword > time
99 results | Page 4 of 10
Women, the arts and globalization
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
Eleanor Antin: Real Time Streaming catalogue
Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001), Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).
Echo the Now
A cinematic interpretation of the performances of Anet van de Elzen.
65 mins.
Prime: Part-time
Publication documenting a project in which three artists took up paid, part-time employment.
Part of the Library of Performing Rights (LPR) (P3041).
Manifesto for Maternal Performance (Art) 2016!
Embraces the messiness and daily action of the maternal and strives to nurture an understanding of daily maternal practice.
Tehching Hsieh: Doing Time
Exhibition catalogue. Biennale Arte 2017, 57th International Art Exhibition – Viva Arte Viva. 13 May – 26 November 2017.
Baseado em Fatos Reais
The dancers develop movements in response to a photo – creating in real time.
Part of the Library of Performing Rights (LPR) (P3041).
Elements of Performance Art
Derived from exercises contributed to workshops by performers with The Ting: The Theatre of Mistakes. First published published 1976.
Stigmata
The essays explore the broad range of poetico-philosophical questions that have long been circulating in the Cixousian universe: the self and the other, autobiographies of writing, love’s labors lost and found, sexual difference, feminism and feminine hours, the prehistory of the work of art and reading the visual arts, animal (w)rites and trans-species relations, literary theory, post-colonial theory, death and life.
Relational Aesthetics
Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Bourriaud attempts to renew our approach toward contemporary art by getting as close as possible to the artists works, and by revealing the principles that structure their thoughts: an aesthetic of the inter-human, of the encounter; of proximity, of resisting social formatting.
