MANUAL is a collaborative publication by performance artist Victoria Gray and writer-artist Emma Cocker. The publication is a response to Berthing Bone, a video work by Victoria Gray. MANUAL complrises photographic stills from the video Berthing Bone, alongside writing by Gray and Cocker.
Collection of video documents of the Swedish performance artist’s work.
The author discusses walk+talk – Philipp Gehmacher’s durational project inviting choreographers to deal with the driving parameters of their practices in simultaneously physical and verbal solo-explorations on stage.
A selection of performance, video and photo work.
*currently unavailable*
Special issue on time. The essays and artist pages assembled here are re-articulations of work presented at PSI 19: Performance and Temporality (25-30 June 2013).
Catalogue of Alice Anderson's 'From Dance to Sculpture' exhibition.
Poses questions over the nature of action, identity and the self in the relationship with media forms.
Gathers the voices of unique artists from the worlds of theatre, music and performance to discuss process and the making of interdisciplinary work. Contributors: Tim Etchells, Rinde Eckert, Richard Foreman, Peter Gabriel, David Greig, Guillermo Gomez-Pena, Phelim McDermott, Peter Sellars
Institution for the Future is an archive of ideas bringing together reflections by artists, curators and other cultural workers on what an institution for the future should and needs to look like. With contributions from Ade Darmawan, Alexandra Hodby, Alistair Hudson, Dmitry Vilensky, Dorothea von Hantelmann, Elaine W. Ho, Gerald Raunig, Hans Ulrich Obrist, Hu Xiangqian, Ho Tzu Nyen, Jens Hoffmann, Joao Ribas, Jun Yang, Keren Cytter, Liu Ding, Marina Abramovic, Michael Lee, Monika Szewczyk, Nikita Yingqian Cai, Richard Streitmatter-Tran, Roslisham Ismail, Ise, Sam Bower, Seng Yujin, Third Belgrade, Tino Sehgal, Vandy Rattana and Yoko Ono.
Critical exploration of feminist art investigating femininity as a relationship to time