Draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance.
Part of Library of Performing Rights (P3041).
Takes performance studies in exciting new directions, exploring the ways in which ethics can be used to understand the complex questions facing contemporary spectators.
Part of Library of Performing Rights (P3041)
Sheds light on a range of practices in the area of contemporary performance in Australia.
Discusses how citizenship is performed today, through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory.
Part of Library of Performing Rights (P3041)
Examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery.
The first book of the women’s liberation movement to put forth a feminist theory of politics.
Brings the fields of performance studies and trauma studies together in conversation where they inform crucial themes such as trauma, testimony, witness, and spectatorship.
Constructs a genealogy of accelerationism, calling attention to early anticipations of accelerationism, and presenting new essays that document the emergence of new accelerationisms steeled against the onslaughts of capitalist realism, and retooled for the twenty-rst century.
Ruminates on the significance of physical and mental roaming for black freedom.
Part of the Library of Performing Rights (P3041).
Brings together the work of acclaimed blogger, writer, political activist and lecturer, covering the period 2004 – 2016.