Examines what it might mean to make theatre beyond the human.

Publication that emerged from, and was inspired by, an exhibition held across Southampton’s John Hansard Gallery and SeaCity Museum in 2014.

Reveals a tradition of queer environmentalism in contemporary literature and film from the Americas. 

Theorizes the racialized structures of inequality that pervade theater and the arts.

Part of The Library of Performing Rights (P3041)

The first volume in the trilogy consent not to be a single being engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life.

Draws on recent debates about sexuality, race, and affect to examine how matter that is considered insensate, immobile, or deathly animates cultural lives.

An exploration of what it means to be fabulous—and why eccentric style, fashion, and creativity are more political than ever.

Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice.

Key intellectuals—inspired by the new movements and by the seminal work of the scholar Cedric J. Robinson—recall the powerful tradition of Black radicalism while defining new directions for the activists and thinkers it inspires.

An exploration into the utopias and dystopias that could develop from present society.