Examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery.
Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
A popular lesbian ‘commercial,’ 110 images of sensual touching montages in A, B, C, D rolls of ‘kinaesthetic’ editing.
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.
In the oversize cabinet.
One of the contemporary art world’s most acclaimed mixed-media & performance artists, is the subject of this smart, sassy documentary that showcases her spectacle-rich approach to explorations of gender, racial identity, and sexuality. Bonus features include two deleted scenes.
The second volume of the landmark trilogy consent not to be a single being.
Feminist science fiction that anticipates a post-patriarchal future.
A heady brew of feminist critique of the art world and extreme body horror.
Everyone is female, and everyone hates it.’A genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.