Explores the histories of race and technology in a world made by slavery, colonialism, and industrialization. Beginning in the late nineteenth century and moving through to the twenty-first, the book argues for the dependent nature of those histories.
Contemplates the interactions of humans with many kinds of critters, especially with those called domestic.
Draws on Kira O’Reilly’s on-going bio-art performance experimentations and Matthew Herbert’s experimental music performance One Pig to rethink the theoretical and performative engagement with animals and the vitality of life in its broadest sense.
Programme for the evening of green, monstrous, post-human drag performance.