Explores how sex in art is as diverse as sex in everyday life.
Focuses on the historical, cultural and political contexts that inform choreographic and dance practices and critical readings of dance-in other words, how dance operates as critical discourse.
The book contextualises, documents and analyses Lone Twin’s work. It explores their interest in live performance, journeys, places, language, narrative and image, and includes original interviews, essays, performance texts and photographs.
This item is referenced in the Making Routes Study Room Guide (P1964).
Text and Performance Quarterly. Volume 28 Numbers 1-2 January-April 2008
Considers Irish expressive culture through some of the paradigms and vocabularies offered by performance studies.
Considers the connection amongst a range of performance forms such as oratory, theatre, dance, and performance art and explores performance as both a humanistic and technical field of education. This item is referenced in the Dreams for an Institution Guide (P2313).
Folder of articles and reviews in relation to Out of Now – The Lifeworks of Tehching Hsieh by Adrian Heathfield and Tehching Hsieh.
Looks at a wide range of performance and visual artists, at popular TV shows and movies, and at our day-to-day encounters with surveillance, rooting its arguments in an accessible reading of cultural theory.
Examines the relationship between an ethics of performance, a politics of place and a poetics of the urban environment.
Part of the Library of Performing Rights (LPR) (P3041).
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part philosophical meditation, part cultural critique, this profoundly original work explores the nature of physical suffering.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Argues for a performative relationship between art and artist.
Investigates how experiences and histories not shared and lived by the majority are remembered and told in an alternative language.
Find article in misc. folder 2.
Find article in misc. folder 2. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Find article in misc. folder 2. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
In (W)reading Performance Writing writer and Co-Director of Open Dialogues Rachel Lois Clapham has assembled twenty practitioners from diverse fields of poetry, theatre, visual art and performance on the topic of Performance Writing. This unique guide comprises of syllabuses, manifestos, scores, personal testimonies and practical exercises, many drawn from resources available in the Live Art Development Agency study room.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
On the subcultural milieu of contemporary body modification, focusing on the ways sexuality, gender and ethnicity are being reconfigured through new body technologies.
Review.
Print to accompany Performance Studies International Conference 15 Zagreb 24-28.06.09.
This book is a kind donation by Natasha Davis. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
What is ethics and what has it got to do with theatre? Drawing on both theoretical material and practical examples, Ridout makes a clear and compelling critical intervention, raising fundamental questions about what theatre is for and how audiences interact with it.
Publication documenting the first public meeting of the institutions that engendered the ENPARTS project (European Network of Performing Arts).
This publication uses the concept of the culture industry as a point of departure, and tests its currency under contemporary conditions. This item is referenced in the Dreams for an Institution Guide (P2313).
As our computers become closer to our bodies, perspectives from phenomenology and dance can help us understand the wider social uses of digital technologies and design future technologies that expand our social, physical, and emotional exchanges.
This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
In what ways does the experience of live art counter the ideological readings of place, context and significantly, gendered codification?
Found in miscellaneous article folder #5
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism.
In four thematic sections, a group of contributors consider curation in light of interdisciplinary and emerging practices, examine conceptions of curation as intervention and contestation, and explore curation’s potential to act as a reconsideration of conventional museum spaces.
This item is referenced in the Dreams for an Institution Guide (P2313).
Publication based on the symposium held on the occasion of the exhibition at MUMOK, Vienna in 2005.
Through her work Devi encourages us to remember that diaspora is more than a c trope, that it is a complex and often contradictory experience which results in joy as well as pain as it is played out on live bodies.
Find article in misc. folder 1.
Writings on performance activism and pedagogy.
This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide: you may perform a spell against madness by Lone Twin (P0755)
On Incasso.
In Slovenian and English.
From the Unbearable Lightness of (Artistic) Freedom 2 edition. Part of the Library of Performing Rights (LPR) (P3041).
On DemoKino.
In Slovenian and English.
From the Unbearable Lightness of (Artistic) Freedom 2 edition. Part of the Library of Performing Rights (LPR) (P3041).
disc accompanying volume 9. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Nine artists’ projects explore fascinating scientific subject areas.
Part of the Performing Action, Performing Thinking edition.
In Slovenian and English.
Part of the Library of Performing Rights (LPR) (P3041).
Papers published following the first Northern Exchanges Symposium. October 1995.