Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.

On what’s not playing in American theatres in the 2017–18 Season.

On Taylor Mac: a 24-Decade History of Popular Music

A tribute to Tadeusz Kantor.

On Harbourfront Centre 2014 World Stage Festival, Toronto.

On Christoph Schlingensief, solo exhibition at MoMA S1, March-August 2014.

Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.

Part of the Library of Performing Rights (P3041)
 

Publication on the artistic research platform aiming to explore family relationships within the context of migration and to contribute to the development of telepresence (technologically mediated presence) as an artistic idiom.

Part of Library of Performing Rights (P3041).

Charts artist and performer Emma Frankland's gender transition against a shifting social and political landscape, while grappling with the systematic erasure of trans history.

Part of Library of Performing Rights (P3041).

A collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them.