Against the background of the disembodied voice a visceral and sado-masochistic exchange between bodies makes voyeurs of its audience. In the glass cabinet.
A single row of audience members around the edge of a performance space A curtain sometimes running across it cutting the space (and the audience’s view) in two. In glass cabinet.
Drawings, designs and sketches for Kantor's performance 'Let the Artists Die'.
Anthology of scores, scripts, instructions, diagrams and documentation of art works that are meant to be heard.
Captures the excitement of a key period in the emergence of postdramatic theatre in Australia in the 1980s and 1990s.
Critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners.
Sheds light on a range of practices in the area of contemporary performance in Australia.
Revisits and resuscitates the forgotten heritage of a politicised theatre group – ‘Al Assifa’.
Part of Library of Performing Rights (P3041)
Examines sexuality, gender and race in Australia’s vibrant independent theatre and performance culture.
Part of Library of Performing Rights (P3041)
Brings together established and emerging practitioners who work with light, as material or subject.