Considered one of the most outrageous, violent and certifiably crazy tracts when it first appeared in 1968, Solanas’ text is reconsidered in Avital Ronell’s introduction, “Deviant Payback: The Aims of Valerie Solanas”.
Rrelates the history of La MaMa through its performance posters, capturing the irreverence and the aesthetic of La MaMa over five decades.
This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)