In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
At once forensic and intimate, the biography traces the extreme discipline and literary strategies Acker used to develop her work, and the contradictions she longed to embody.
A project based on a hypotethical (hypothetical and ethical) situation (political, social, military, security, natural catastrophy …) in which the citizens of highly developed countries (mainly from the West) would be forced to leave their country and look for a temporary home in another country.
Part of the Library of Performing Rights (LPR) (P3041).
A community based Human Rights Education project that uses theatre to engage young people from culturally diverse populations in dialogue about human rights with the Montreal community. Includes promotional material and photos of phases 1 and 2 and evaluation of phase 2.
Part of the Library of Performing Rights (LPR) (P3041).
A book of stories, stories written by activists from the front lines of resistance against capitalism and economic globalization. In German; for the English version see P0424.
This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Catalogue published in conjunction with the exhibition by Yongsoon Min ;13 August to 12 September 2004 at the SSamzie Space Galleries. In English and Korean.
Part of the Library of Performing Rights (LPR) (P3041).
A radical theorization of a particular (Eastern European) position / repoliticization, this book offers a very detailed inquiry into specific Post-Socialist art and media strategies.
Part of the Study Room Guide on Live Art and Displacement (P3107).
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Newspaper published to celebrate the company’s 25th anniversary.
Combining Rubnitz’s manipulation of the familiar “look” of TV shows with an extraordinary range of characters, performer Ann Magnuson impersonates the array of female types seen on TV in a typical broadcast day.
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