Catalogue > By Keyword > Julia Bardsley
28 results | Page 2 of 3
Documentation Bank: Julia Bardsley
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects/
The Divine Trilogy
A series of solo pieces that forge an intimate dialogue between the audience and the performer, the artist and the creative process, live presence and the visual art object.
Almost the Same
Video documentation of installation work.
The Skin of the Theatre: An Interview with Julia Bardsley
SPILL Festival of Performance: On Agency
SPILL Festival of Performance: On Agency. Kira O’Reilly as festival thinker-in-residence.
Foolish Suicide Attempts
Eve gives suicide a go; Her attempts are a foolish performance for the camera. This film is the full version that appears in Act One of Trans-Acts. Trans-Acts casts the Artist in the role of three necessary transgressors: the Dunce, the Devil & the Fool or seen another way as Sad Eve, Bad Eve & Mad Eve.
Sacred: A Season of Contemporary Performance (catalogue)
Sacred archive. Documentation on DVDs ref D1396-D1421.
Artsadmin 30
Trans-Acts Act Two
Act Two: Transformation. Installation into Performance by Julia Bardsley. www.juliabardsley.net
SPILL Tarot Pack
Presented in a specially designed box and cellophane wrapped. Shelved in Oversize publications section.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Sacred 2008
Programme of the Sacred Season at the Chelsea Theatre, 28 April – 10 May 2008, a platform of performance works exploring what theatre can inspire, interrogating the relationship between artists and spectators. Video documentation of the Sacred Season also available: REF. D1057- Includes performance spec and credits for the Book of Blood 4 by Leibniz. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
We Need to Talk About Live Art
Interviews and conversation on the National Review of Live Art. 6 -10 Feb 2008
Unbound pages. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
