Poetic responses to artworks in the eponymous exhibition at King's College London and Copeland Gallery.
To celebrate the inclusion of Simeon Solomon’s work in the Queer British Art 1861-1967 exhibition, Bartlett revived the piece for one night only, performing it amidst the masterpieces of the nineteenth century gallery of Tate Britain. July 2017.
Includes video of the performance and the postshow discussion with Dominic Johnson.
On brest cancer and resistance.
Part of PSI 12.
Part of the Library of Performing Rights (LPR) (P3041).
Depicts a history of demonstrations, sit-ins and similar steps taken by ACT UP and other groups.
Part of the Library of Performing Rights (LPR) (P3041).
An email conversation between a noted poet.walker and a noted performance.walker about being temporarily prevented from walking ‘normally’ by illness/surgery. Their reflections cover cultural perceptions and personal values associated with walking, personal anecdotes, philosophical reflection, practices for daily-life and an alphabet of falling.
The first comprehensive overview and reconsideration of 30 years of art made in response to the AIDS epidemic in the United States. This book foregrounds the role of HIV/AIDS in shifting the development of American art away from the cool conceptual foundations of postmodernism and toward a new, more insistently political and autobiographical voice.
Published on the occasion of the exhibition at the Tacoma Art Museum (October 2015 – January 2016)
Drawing primarily on the Western dramatic canon, on contemporary British theatre, on popular culture, and on paratheatrical practices, the book investigates theatrical engagement with aging from the Greek chorus to Reminiscence Theatre.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
What are the implications of arts practice in people’s home or private rooms in residential care? What new understandings do they reveal about innovations in form, artistic labour practices and cultural organisations’ capacity? This article examines these questions through two projects.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
In misc folder 7.
Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Publication documenting de la Rosa's participation in the 'A world of your own workshop', led by Geraldine Pilgrim.